{"id":885,"date":"2019-02-09T17:56:15","date_gmt":"2019-02-09T16:56:15","guid":{"rendered":"http:\/\/efifarmaki.com\/?page_id=885"},"modified":"2020-04-03T14:42:30","modified_gmt":"2020-04-03T12:42:30","slug":"in-fluence","status":"publish","type":"page","link":"https:\/\/efifarmaki.com\/index.php\/fr\/creations\/in-fluence\/","title":{"rendered":"In fluence, in situ"},"content":{"rendered":"\n<p class=\"has-text-align-left\">Performance de danse et installation sonore in situ<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"In fluence - extraits - Abbaye de Royaumont\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mIkaZpnZy9A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Extraits de la pi\u00e8ce In fluence in-situ pr\u00e9sent\u00e9e \u00e0 l&rsquo;Abbaye de Royaumont<\/figcaption><\/figure>\n\n\n\n<p><strong>Trois danseurs, tels des algues<\/strong> immerg\u00e9es dans les courants d\u2019une eau invisible. Passant alternativement de la quasi immobilit\u00e9 \u00e0 d\u2019intenses \u00e9volutions, les performeurs mat\u00e9rialisent l\u2019aller et le retour du ressac, les courants tourbillonnant, ou encore les infimes turbulences de la masse liquide dans laquelle ils sont pris, et dont petit \u00e0 petit ils donnent une conscience meditative au spectateur.<br><br>L\u2019espace de jeu comporte une <strong>installation sonore<\/strong>, structure l\u00e9g\u00e8re de bambous suspendus au-dessus des interpr\u00e8tes et diffusant une ambiance musicale entre souffles et ruissellements. Ce dispositif renforce la r\u00e9f\u00e9rence \u00e0 l&rsquo;eau par la nature m\u00eame du bambou et le fait qu&rsquo;il soit suspendu au dessus d&rsquo;eux accentuant l&rsquo;effet d&rsquo;immersion des performeurs et des spectateurs.<br><br><strong>In fluence \u00e9voque<\/strong>, sous une forme all\u00e9gorique, le dense et puissant r\u00e9seau des influences sociales, culturelles ou affectives dans lesquelles nous sommes pris. Celles-ci s\u2019imposent \u00e0 nous de mani\u00e8re plus ou moins pr\u00e9gnante, de fa\u00e7on consciente ou inconsciente, avec des effets b\u00e9n\u00e9fiques ou n\u00e9fastes, mais sans jamais vraiment nous laisser de repos.<br><br>Au travers de <strong>la m\u00e9taphore de l\u2019eau<\/strong>, la chor\u00e9graphe met en sc\u00e8ne cette \u00ab\u00a0mati\u00e8re abstraite\u00a0\u00bb, dont la dynamique r\u00e9sulte de l\u2019alchimie complexe et subtile des courants ext\u00e9rieurs qui nous meuvent, nous traversent, et ressortent marqu\u00e9s par notre propre influence qui se portera sur les autres. Ainsi sommes-nous pris ind\u00e9finiment dans un cercle d\u2019effets psychologiques, qui donnent forme \u00e0 l\u2019humanit\u00e9.<br><br><strong>La technique chor\u00e9graphique<\/strong>, ancr\u00e9e dans la danse contemporaine, est notamment issue de la recherche \u00e0 l&rsquo;oeuvre dans le But\u00f4 Japonais. Elle est bas\u00e9e sur une forte fabrication imaginaire, ici la sensation de l\u2019eau, sa mati\u00e8re, sa texture et ses dynamiques, qui anime les interpr\u00e8tes, se mat\u00e9rialise par leurs corps et s\u2019\u00e9tend au-del\u00e0, dans la relation aux autres corps en pr\u00e9sences, jusqu\u2019\u00e0 envahir l\u2019espace de jeu.<br>Les danseurs se montrent enti\u00e8rement soumis sans r\u00e9sistance \u00e0 l\u2019influence des courants qu\u2019ils projettent. Mais dans le m\u00eame temps, ils s\u2019\u00e9tablissent dans une posture de recul, avec un regard int\u00e9rieur observant ces courants qu\u2019ils subissent.<br><br><strong>Au plan musical<\/strong>, la recherche du compositeur, s\u2019appuyant sur un travail de spatialisation du son aux sources diff\u00e9renci\u00e9es, est centr\u00e9e sur la cr\u00e9ation d\u2019un environnement combinant l\u2019intimit\u00e9 sonore minimale \u00e0 la sensation d\u2019un espace de large amplitude.<br><br>La pi\u00e8ce In Fluence est, dans sa forme actuelle, un dispositif sonore autonome qui peut \u00eatre experiment\u00e9 par les spectateurs librement et dans lequel se r\u00e9alise de mani\u00e8re p\u00e9riodique la performance d&rsquo;une dur\u00e9e de 20 minutes, les performeurs sortant du public. La performance elle-m\u00eame est multifrontale.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1-1024x575.png\" alt=\"\" data-id=\"886\" data-link=\"https:\/\/efifarmaki.com\/?attachment_id=886\" class=\"wp-image-886\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1-1024x575.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1-300x169.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1-768x432.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"2862\" height=\"1606\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/5-1024x575.png\" alt=\"\" data-id=\"888\" data-link=\"https:\/\/efifarmaki.com\/?attachment_id=888\" class=\"wp-image-888\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/5-1024x575.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/5-300x168.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/5-768x431.png 768w\" sizes=\"(max-width: 2862px) 100vw, 2862px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"551\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-1024x551.png\" alt=\"\" data-id=\"889\" data-link=\"https:\/\/efifarmaki.com\/?attachment_id=889\" class=\"wp-image-889\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-1024x551.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-300x161.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-768x413.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"570\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-5-1024x570.png\" alt=\"\" data-id=\"1186\" data-link=\"https:\/\/efifarmaki.com\/index.php\/fr\/in-fluence\/3-8\/\" class=\"wp-image-1186\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-5-1024x570.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-5-300x167.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-5-768x427.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong>Equipe artistique<\/strong><br>Chor\u00e9graphe : Efi Farmaki<br>Installation sonore : Alessandro Perini<br>Interpr\u00e8tes : Lucie Gemon, Marta Capaccioli, Pierre Theoleyre<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Installation sonore<\/strong> de bambous suspendus r\u00e9alis\u00e9e et pr\u00e9sent\u00e9e dans le R\u00e9fectoire des Convers de l&rsquo;Abbaye de Royaumont en ao\u00fbt 2018 dans le cadre du programme Prototype V.<br><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5485-1024x768.jpg\" alt=\"\" data-id=\"892\" data-link=\"https:\/\/efifarmaki.com\/?attachment_id=892\" class=\"wp-image-892\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5485-1024x768.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5485-300x225.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5485-768x576.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5485.jpg 1632w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"740\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5483-1024x740.jpg\" alt=\"\" data-id=\"894\" data-link=\"https:\/\/efifarmaki.com\/?attachment_id=894\" class=\"wp-image-894\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5483-1024x740.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5483-300x217.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5483-768x555.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5483.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5487-1024x686.jpg\" alt=\"\" data-id=\"901\" data-link=\"https:\/\/efifarmaki.com\/index.php\/fr\/in-fluence\/img_5487\/\" class=\"wp-image-901\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5487-1024x686.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5487-300x201.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5487-768x515.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5487.jpg 1632w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5484-1-1024x801.jpg\" alt=\"\" data-id=\"1188\" data-link=\"https:\/\/efifarmaki.com\/index.php\/fr\/in-fluence\/img_5484-2\/\" class=\"wp-image-1188\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5484-1-1024x801.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5484-1-300x235.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5484-1-768x600.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_5484-1.jpg 1558w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-file alignleft\"><a href=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/InFluence-dossier-de-prod.pdf\">  <br><\/a><a href=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/InFluence-dossier-de-prod.pdf\" class=\"wp-block-file__button\" download>T\u00e9l\u00e9charger le dossier artistique<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Performance de danse et installation sonore in situ Trois danseurs, tels des algues immerg\u00e9es dans les courants d\u2019une eau invisible. Passant alternativement de la quasi immobilit\u00e9 \u00e0 d\u2019intenses \u00e9volutions, les performeurs mat\u00e9rialisent l\u2019aller et le retour du ressac, les courants tourbillonnant, ou encore les infimes turbulences de la masse liquide [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-page-fullwidth.php","meta":{"footnotes":""},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/885"}],"collection":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/comments?post=885"}],"version-history":[{"count":20,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/885\/revisions"}],"predecessor-version":[{"id":1506,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/885\/revisions\/1506"}],"up":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/media?parent=885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}