{"id":644,"date":"2018-01-19T14:38:19","date_gmt":"2018-01-19T13:38:19","guid":{"rendered":"http:\/\/efifarmaki.com\/?page_id=644"},"modified":"2023-03-16T08:40:02","modified_gmt":"2023-03-16T07:40:02","slug":"solo","status":"publish","type":"page","link":"https:\/\/efifarmaki.com\/index.php\/fr\/creations\/solo\/","title":{"rendered":"Solos"},"content":{"rendered":"\n<p>Les pi\u00e8ces solo sont cr\u00e9es en r\u00e9ponse \u00e0 des invitations ou \u00e0 notre propre initiative. Il s&rsquo;agit, notamment, de pi\u00e8ces in situ, dans des lieux non-conventionnels ou des espaces publiques. Ces performances en solo sont souvent le fruit de la collaboration avec des artistes d\u2019autres disciplines artistiques: musiciens, plasticiens, \u00e9crivains, vid\u00e9astes.<\/p>\n\n\n\n<p>Voici quelques exemples de performances solo : <\/p>\n\n\n\n<p><strong>L&rsquo; \u00f4 <\/strong><br>Performance cr\u00e9e \u00e0 partir des morceaux de musique du compositeur electroacoustique Charles Platel, pour le festival En Chair et en Son #7. Pr\u00e9sent\u00e9 le 23\/11\/23 au Th\u00e9\u00e2tre Aleph, Ivry sur Seine.  <br>\u00ab\u00a0<em>Au fond d&rsquo;une foret tropicale, d&rsquo;un puit profond, d\u00e9bute un cheminement dans une douce r\u00eaverie, se frayant une voie sous le couvert de la riche nature. Plongeant dans l&rsquo;oc\u00e9an immense, le chant des baleines accompagne la d\u00e9rive au travers des vestiges de l&rsquo;\u00e9pave rouill\u00e9e d&rsquo;un navire, qui accueille le voyage initiatique du personnage dans l&rsquo;\u00e9l\u00e9ment de l&rsquo;eau<\/em>.\u00a0\u00bb <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"En Chair et en Son#7 : Efi Farmaki - Charles Platel\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vWlZtVlrTX0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Hybrid Identities<\/strong>&nbsp;<br>Performance inspir\u00e9e de l\u2019exposition <em>Hybrid Identities<\/em> de l\u2019artiste plasticienne <a rel=\"noreferrer noopener\" href=\"http:\/\/www.mapecoo.com\" target=\"_blank\">Maria Pe\u00f1a Coto<\/a> sur les femmes nomades, voyageuses, expatri\u00e9es, immigrantes.&nbsp;En collaboration avec la musicienne\/chanteuse <a rel=\"noreferrer noopener\" href=\"http:\/\/portfolio.xiaosquared.com\/\" target=\"_blank\">Xiao Xiao<\/a>, nous avons imagin\u00e9 une performance nourrie de nos propres experiences de migration, retracant les \u00e9tapes fondamentales du d\u00e9placement : le d\u00e9part de chez soi, l\u2019espoir et la difficult\u00e9 du cheminement, la rencontre avec l\u2019Autre, la transformation de soi, le (re)d\u00e9part pour d\u2019autres horizons.&nbsp;<br>Pr\u00e9sent\u00e9e \u00e0 la Galerie du G\u00e9nie de la Bastille (Paris), le 1er mai 2022.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u201cHybrid Identities\u201d performance (extracts)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hlq0FOR39dM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Entrelac\u00e9e<\/strong><br><em>Entrelac\u00e9e<\/em> est un solo de danse inspir\u00e9 de la s\u00e9rie de bijoux d\u2019art \u00ab&nbsp;Greffe&nbsp;\u00bb de l\u2019artiste plasticienne <a rel=\"noreferrer noopener\" href=\"https:\/\/www.zhouyiyan.fr\/\" target=\"_blank\">Yiyan Zhou<\/a>. La danse s\u2019appuie \u00e0 la fois sur la recherche formelle de ses \u0153uvres, leurs formes spirales, circulaires, ondul\u00e9es, ainsi que sur la qualit\u00e9 des mat\u00e9riaux utilis\u00e9s, la duret\u00e9, la fragilit\u00e9, la plasticit\u00e9 de la porcelaine et du bronze.<br>Ce solo a \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 l\u2019occasion du finissage de l\u2019exposition \u00e0 la Galerie MiniMasterpiece (Paris), le 21 avril 2022, avec l\u2019accompagnement musical de la fl\u00fbtiste Xipeng Guo et la lecture des po\u00e8mes de Yiyan Zhou.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u201cEntrelac\u00e9e\u201d, dance solo performance by Efi Farmaki (extracts)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/nGamKKYF0l0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Candida ut lilium <\/strong><br>Ce projet est le fruit de la collaboration avec Les \u00c9lanc\u00e9es, trio vocal au r\u00e9pertoire m\u00e9di\u00e9val et d\u2019improvisation contemporaine. Pour cette pi\u00e8ce nous avons travaill\u00e9 sur le morceau <em>Candida virginitas ut lilium<\/em> que les chanteuses d\u00e9structurent et recomposent en temps r\u00e9el sur sc\u00e8ne, pour accompagner la danse qui explore, quant \u00e0 elle, les diff\u00e9rents aspects de la couleur blanche en tant que symbole culturel et religieux. <br>Pr\u00e9sent\u00e9 \u00e0:<br>Le vent se l\u00e8ve, Paris &#8211; 2 juin 2019, <br>\u00c9glise de Thury &#8211; 29 juin 2019,<br>Chapelle St.Pierre de Tonnerre &#8211; 30 juin 2019, <br>Nuit des \u00e9glises Couvent B\u00e9n\u00e9dictines de Vanves &#8211; 13 octobre 2019  <br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Candida ut lilium\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CSGvReJ3coA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Le phantome de la princesse Bari<\/strong><br>Solo cr\u00e9e sp\u00e9cialement pour le spectacle <em>Bari<\/em> de la compagnie cor\u00e9ene MIR Repertory Theater sur le mythe chamanique cor\u00e9en de la princesse Bari. &nbsp;<br>Pr\u00e9sent\u00e9 \u00e0&nbsp;: <br> L\u2019Auditorium de l\u2019INALCO, Paris \u2013 6 juin 2019<br> Festival Nuit Sacr\u00e9e, Eglise St. Merry, Paris \u2013 8 juin 2019 <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Solo dance Efi Farmaki - Bari - MIR Repertory Theater\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CFI02MmvSkQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>En toute intimit\u00e9<br><\/strong>Solo pr\u00e9sent\u00e9 dans le cadre d&rsquo;une d\u00e9ambulation dans\u00e9e dans les cabanes de l&rsquo;installation  \u00ab\u00a0Dans les branches\u00a0\u00bb du Maif Social Club , organis\u00e9e par la Fabrique de la Danse, Paris, mars 2019.<br> <br><em>\u00ab Eclats futiles ou d\u2019essentiel, la vie s\u2019\u00e9coule\u2026 Entrez, venez surprendre l\u2019intime des jours. \u00bb, <\/em>Christine Bastin  <br> <br><a href=\"http:\/\/www.lafabriquedeladanse.fr\/2019\/evenements\/deambulation-en-toute-intimite-avec-les-choregraphes-de-lincubateur-au-maif-social-club\/\">http:\/\/www.lafabriquedeladanse.fr\/2019\/evenements\/deambulation-en-toute-intimite-avec-les-choregraphes-de-lincubateur-au-maif-social-club\/<\/a> <br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Efi Farmaki solo performance, extract - &#039;&#039;En toute intimit\u00e9&#039;&#039;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jg781AI1TNI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Cosmogonie<\/strong> <br>Solo pr\u00e9sent\u00e9 dans le cadre du festival \u00ab\u00a0Licences accueille Chair et Son\u00a0\u00bb qui a eu lieu au th\u00e9\u00e2tre du 100ECS \u00e0 Paris en mars 2019.<br>Un solo cr\u00e9e sur la musique accousmatique de Michel Titin Schnaider. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cosmogonie - solo performance by Efi Farmaki, extract\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7pLPSqDikJ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Incarnation<br><\/strong><em>Festival En Chair et en son, Le Cube, octobre 2018<\/em><br>\u00ab\u00a0Prise dans l\u2019appel des d\u00e9votions humaines, une \u00e9nergie \u00e9vanescente tourbillonne telle une fumerolle c\u00e9leste aspir\u00e9e par la terre. Elle s\u2019incarne enfin dans la contingence humaine, \u00e9pousant son sublime prosa\u00efsme et sa fabrication symbolique.\u00a0\u00bb<br>Cr\u00e9ation de danse sur le diptyque des compositions acousmatiques de Vincent Lauboeuf (Compagnie Motus) Le chant des sanctuaires et Le bruit des temples, interpret\u00e9 en live sur acousmonium.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"774\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-11-1-1024x683.jpg\" alt=\"\" class=\"wp-image-774\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-11-1-1024x683.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-11-1-300x200.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-11-1-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"775\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-2-1-768x1024.jpg\" alt=\"\" class=\"wp-image-775\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-2-1-768x1024.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-2-1-225x300.jpg 225w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"779\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-7.n-768x1024.jpg\" alt=\"\" class=\"wp-image-779\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-7.n-768x1024.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-7.n-225x300.jpg 225w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1402\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-9-3-1024x768.jpg\" alt=\"\" class=\"wp-image-1402\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-9-3-1024x768.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-9-3-300x225.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/En-chair-et-en-son-4-Efi-9-3-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>L\u2019esprit du ch\u00e2teau<\/strong><br><em>Bords d\u2019Yerres,&nbsp;Maison des arts du Brunoy, juin 2017<\/em><br>\u00ab\u00a0D\u2019un petit ch\u00e2teau \u00e0 la fa\u00e7ade incandescente, s\u2019\u00e9chappe l\u2019esprit du lieu, glissant de la muraille et coulant le long de l\u2019escalier pour rejoindre le vert de la prairie. Corps-esprit, il lutte avec la mat\u00e9rialit\u00e9, autant qu&rsquo;il \u00e9pouse, pour que son d\u00e9sir de libert\u00e9 puisse s&rsquo;accomplir.\u00a0\u00bb<br>\u00c9v\u00e9nement organis\u00e9 par l&rsquo;Association Aventures Electroacoustiques en collaboration avec la ville de Brunoy.  <br><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"571\" data-id=\"786\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.37.23-1024x571.png\" alt=\"\" class=\"wp-image-786\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.37.23-1024x571.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.37.23-300x167.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.37.23-768x428.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"861\" height=\"1024\" data-id=\"784\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0260-861x1024.jpg\" alt=\"\" class=\"wp-image-784\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0260-861x1024.jpg 861w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0260-252x300.jpg 252w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0260-768x913.jpg 768w\" sizes=\"(max-width: 861px) 100vw, 861px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"572\" data-id=\"1065\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.42.11-1-1024x572.png\" alt=\"\" class=\"wp-image-1065\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.42.11-1-1024x572.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.42.11-1-300x168.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Capture-d\u2019\u00e9cran-2017-06-14-\u00e0-10.42.11-1-768x429.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"785\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0272-1024x768.jpg\" alt=\"\" class=\"wp-image-785\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0272-1024x768.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0272-300x225.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/IMG_0272-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>La fille \u00e0 l\u2019arrosoir<\/strong><br><em>But\u00f4 dans mon jardin, Brunoy, France, juin 2016<br>\u00ab\u00a0<\/em>Au fond d\u2019un jardin, une fille habit\u00e9e de fantasmagorie, apporte l\u2019eau principe de vie. Elle dispense aux pierres le fluide symbolique, exaltant pour un instant leurs couleurs, et s\u2019enivrant d\u2019une temp\u00eate des sentiments int\u00e9rieurs qu\u2019elles d\u00e9clenchent.\u00a0\u00bb<br>Invitation du compositeur Michel Titin-Schnaider.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" data-id=\"792\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/4-1-1024x578.png\" alt=\"\" class=\"wp-image-792\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/4-1-1024x578.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/4-1-300x169.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/4-1-768x434.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" data-id=\"791\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1024x648.png\" alt=\"\" class=\"wp-image-791\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-1024x648.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-300x190.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/1-768x486.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"789\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-1024x576.png\" alt=\"\" class=\"wp-image-789\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-1024x576.png 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-300x169.png 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/3-768x432.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"788\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/But\u00f4_dans_mon_jardin_9-1024x683.jpg\" alt=\"\" class=\"wp-image-788\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/But\u00f4_dans_mon_jardin_9-1024x683.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/But\u00f4_dans_mon_jardin_9-300x200.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/But\u00f4_dans_mon_jardin_9-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>La Sir\u00e8ne<\/strong><br><em>Blooming island, Andros, Gr\u00e8ce, mai 2016<\/em><br>\u00ab\u00a0Issue de l&rsquo;eau et du pass\u00e9, une sir\u00e8ne revient dans ce village qui vit les transformations de l&rsquo;urbanisation moderne. Errant \u00e0 la recherche des souvenirs port\u00e9s par la population des spectateurs, elle donne corps aux d\u00e9sarrois de la perte d&rsquo;un temps o\u00f9 la nature et les cr\u00e9atures de l\u00e9gendes faisaient le r\u00e9el.\u00a0\u00bb<br>Cr\u00e9ation in-situ faisant parti d&rsquo;un parcours chor\u00e9graphique imagin\u00e9 et mis en place par la Compagnie Asipka en collaboration avec la chor\u00e9graphe danoise Kitt Johnson. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"898\" height=\"540\" data-id=\"799\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/6-1.jpg\" alt=\"\" class=\"wp-image-799\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/6-1.jpg 898w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/6-1-300x180.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/6-1-768x462.jpg 768w\" sizes=\"(max-width: 898px) 100vw, 898px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" data-id=\"798\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1.jpg\" alt=\"\" class=\"wp-image-798\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1.jpg 960w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-300x169.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/2-1-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" data-id=\"794\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/9.jpg\" alt=\"\" class=\"wp-image-794\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/9.jpg 960w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/9-300x169.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/9-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>R\u00eave-errance<\/strong><br><em>Nuit Blanche, pole Simon Lefranc, Paris, septembre 2015<\/em><br><em>\u00ab\u00a0Eteins-toi, \u00e9teins-toi, court flambeau : la vie n&rsquo;est qu&rsquo;une ombre qui marche\u2026<\/em> Dit Lady Macbeth. Inspir\u00e9 par ces mots de la pi\u00e8ce de Shakespeare, le solo livre une interpr\u00e9tation de la sc\u00e8ne somnambulique de Lady Macbeth. Baign\u00e9e par l&rsquo;univers abstrait de la vid\u00e9o montrant des immeubles s\u2019effondrant au ralenti, l&rsquo;interpr\u00e8te, les yeux ferm\u00e9s, se d\u00e9bat dans une int\u00e9riorit\u00e9 tourment\u00e9e, luttant pour s&rsquo;extraire de la nuit de ses r\u00eaves et trouver la lumi\u00e8re du monde ext\u00e9rieur.\u00a0\u00bb<br>Performance dans le cadre de l&rsquo;\u00e9v\u00e9nement <em>Sons d&rsquo;anthropoc\u00e8ne<\/em>. Collaboration avec la vid\u00e9aste Cl\u00e9oph\u00e9e Moser. <br><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"695\" data-id=\"86\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-1.jpg\" alt=\"\" class=\"wp-image-86\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-1.jpg 960w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-1-300x217.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-1-768x556.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"626\" data-id=\"87\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-2-1024x626.jpg\" alt=\"\" class=\"wp-image-87\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-2-1024x626.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-2-300x183.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-2-768x469.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-2.jpg 1982w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"711\" data-id=\"88\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-4-1024x711.jpg\" alt=\"\" class=\"wp-image-88\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-4-1024x711.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-4-300x208.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-4-768x533.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/04\/nuit-blanche-4.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"776\" data-id=\"700\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2018\/01\/EM1-040813-1024x776.jpg\" alt=\"\" class=\"wp-image-700\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2018\/01\/EM1-040813-1024x776.jpg 1024w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2018\/01\/EM1-040813-300x227.jpg 300w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2018\/01\/EM1-040813-768x582.jpg 768w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2018\/01\/EM1-040813.jpg 1493w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Les pi\u00e8ces solo sont cr\u00e9es en r\u00e9ponse \u00e0 des invitations ou \u00e0 notre propre initiative. Il s&rsquo;agit, notamment, de pi\u00e8ces in situ, dans des lieux non-conventionnels ou des espaces publiques. Ces performances en solo sont souvent le fruit de la collaboration avec des artistes d\u2019autres disciplines artistiques: musiciens, plasticiens, \u00e9crivains, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-page-fullwidth.php","meta":{"footnotes":""},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/644"}],"collection":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":65,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/644\/revisions"}],"predecessor-version":[{"id":1756,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/644\/revisions\/1756"}],"up":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/media?parent=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}