{"id":525,"date":"2017-12-08T13:26:05","date_gmt":"2017-12-08T12:26:05","guid":{"rendered":"http:\/\/efifarmaki.com\/?page_id=525"},"modified":"2019-06-10T11:26:21","modified_gmt":"2019-06-10T09:26:21","slug":"about","status":"publish","type":"page","link":"https:\/\/efifarmaki.com\/index.php\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\" style=\"text-align:left\">Artist&rsquo;s Note<\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/12\/Efi-n-b-2.jpg\" alt=\"\" class=\"wp-image-528\" width=\"119\" height=\"178\" srcset=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/12\/Efi-n-b-2.jpg 667w, https:\/\/efifarmaki.com\/wp-content\/uploads\/2017\/12\/Efi-n-b-2-200x300.jpg 200w\" sizes=\"(max-width: 119px) 100vw, 119px\" \/><\/figure><\/div>\n\n\n\n<p>I am interested in the very foundations of dance, which goes back to the most archaic manifestations of the symbolic gesture. Back to the moment when the movement begins to express human nature itself, and is no longer simply a response to the prosaic necessities of life. <br>This origin of the dance, situated in the mists of time, I\u2019m seeking it in the traces left in the traditional dances of the world.   <br>But I believe it can also be found deep within us, as we carry the imprint of the evolution of humanity through time. I try to go all the way deep inside to find this fundamental truth that allows me to look at the world from a solid inner place. <br>My choreographic proposal is often the encounter between a mental minimalism to which I ask to be a powerful axis incarnating \u00ab\u00a0the essential\u00a0\u00bb, and a delicate ornamentation in the form, in search of beauty and harmony.<br>Coming originally from the theater, I\u2019ve chosen to express myself through dance, for its ability to bypass the intellect and speak directly to peoples\u2019 emotions, instincts, sensations. <br>Thus, my performers are not \u00ab\u00a0characters\u00a0\u00bb unfolding narrations, but abstract systems, shapes in space, colors, energies, fluid circulations that metamorphose on the stage through time. <br>I try to give the freedom to the spectators to make their own associations and projections.&nbsp; I like to awaken their imagination, as I like to surprise them by creating unpredictable realities.<br>The scenography itself participates in this research, often offering contemplative landscapes. <br><br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Bio<\/h3>\n\n\n\n<p>Choreographer and performer from Greece, living in France since 2013, she did her initial studies of <strong>theater and dance<\/strong> in Athens, which she completed with a cycle of intensive dance workshops at the <strong>Atelier de Paris-Carolyn Carlson<\/strong> and the <strong>CND<\/strong> in Paris. In 2015 she obtained a scholarship to study Indonesian dance and music in Bali for 4 months. This is where she also discovered the <strong>Asian cultures<\/strong> of Korea, Thailand, Japan, China and Fiji that she has been exploring ever since. Very attracted by <strong>butoh<\/strong>, she has been studying since 2010 next to international teachers such as Katsura Kan, Moeno Wakamatsu and Minako Seki. She has also studied traditional greek dances, tango dance, classical singing, and theatrical improvisation. All these influences have nourished her imaginary, and have formed her particular artistic identity. She created her dance company in France in 2016 where she mainly develops her projects. <br><br>She has been selected and participated in the following programs:  <br><\/p>\n\n\n\n<ul><li>Indonesian Arts and Culture Scholarship, <strong>Indonesian Embassy<\/strong>, 2015<\/li><li>Choreographers Incubator of the <strong>Fabrique de la Danse<\/strong>, Paris, 2016-17<\/li><li>Carte Blanche \u00e0 la Jeune Cr\u00e9ation of the <strong>Espace Icare<\/strong>, Issy-les-Moulineaux, 2017-18<\/li><li>PROTOTYPE V of <strong>Abbaye de Royaumont<\/strong>, scholarship from the Abbey\u2019s Foundation, 2017-18<\/li><\/ul>\n\n\n\n<p><br><br><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Curriculum Vitae<\/h4>\n\n\n\n<p class=\"has-small-font-size\"><strong>Creations<\/strong><br><strong>Group works<\/strong><br>2018-9 : InFluence, site-specific dance performance for 3 dancers and sound installation, Royaumont Abbey<br>2017 : Chorus, dance-theater performance for 5 female performers, Paris<br><br><strong>Solo works<\/strong><br>2018 : Incarnation, festival En chair et en Son 2018, Paris<br>2017 : Les escaliers, Maison des Arts de la Mairie de Brunoy<br>2017 : Cosmogonie, festival Palimpseste, Th\u00e9\u00e2tre du temps, Paris<br>2016 : Sirene, Blooming Island, Asipka Company, Andros island<br>2015 : R\u00e9ve-errance, Nuit Blanche 2015, Pole Simon Lefranc, Paris<br>2014: Afrodite, festival But\u00f4 dans mon jardin, Brunoy, France<br><br><br><strong>Interpretation<\/strong><br>2019: Bari, MIR Repertory Theater \ub808\ud37c\ud1a0, INALCO Paris &amp; Nuit Sacr\u00e9e 2019, eglise St.Merry<br>2018 : Ainda da, geste pour un non po\u00e9me, festival Cri d\u2019amour pour le Br\u00e9sil, Mains d\u2019oeuvres , St.Ouen<br>2017 : Parthenon Marbles, Alexandra Pirici, performance, foundation Kadist, Paris<br>2016 : R\u00eave d\u2019embryon, Katsura Kan butoh company, Festival But\u00f4 de Tenri, Paris<br>2016-18 : Traditionnal korean dance, Korean Cultural Center of Paris : Buchaechum, Sanjochum,Kyobang-mu, Salpuri<br>2015 : Maintenant, ici, au bord. \u00c0 la m\u00e9moire de Koh, Katsura Kan butoh company, Extr\u00eame Jonglerie \u2013 Marseille, Bertin Poir\u00e9e &#8211; Paris<br>2015 : Traditional balinese and javanese dances : Gambyong, Teruna Jaya, Legong kraton, Sekar Jagat, Indonesian<br>Embassies of Athens and Paris<br>2015: Transumances de d\u00e9sir, Les Muses Bathymetriques dance company, Paris<br>2014 : La Salamandre, choreographer Nanami Kohshou, Espace Culturel Bertin Poir\u00e9e, Paris<br>2010-11: Woman Prometheus, dance and ancient greek theater, Dryos Topoi company, Dora Stratou theater<br>2009: The Threepenny opera, Bertolt Brecht, Th\u00e9\u00e2tre Dilos, Ath\u00e8nes &#8211; role Lucy<br>2008 : Music Tale, En Chordais, Megaron Music Hall, Ath\u00e8nes<br>2008: Aladin e la lambada magica, Opera National de Gr\u00e8ce Ath\u00e8nes<br> <br><strong>Education<\/strong><br>2017-18 : Prototype V, Royaumont Abbey: \u2018\u2019From the dance made for music to the music made for dance\u2019\u2019<br>2016-17 : Choreographers Incubator, Fabrique de la Danse, Paris<br><br><strong>Dance &amp; Theater<\/strong><br>2015-18: Traditional Korean dance \u2013 Korean cultural center of Paris, prof. Jae Hyun An<br>2015-17: Traditional Indonesian dance \u2013 Indonesian Embassy, prof. Kadek Puspasari, Paris<br>2014-2018 : Dance workshops with Deborah Hay, Ambra Senatore, David Zambrano, Shelley Senter, Vidya Subramanian, Kim Ri-Ha\u00e9, Vincent Dupont, Minako Seki, Rootless Roots<br>2015 : Indonesian Arts and Culture Scholarship, 4-month course program in Bali (dance, music)<br>2009-18 : Butoh workshops with Katsura Kan, Moeno Wakamatsu, Juju Alishina, Nanami Kohshou<br>2013-16 : Tango Argentino with prof. Aurore Chadoin-Enzo Hoces, Javier Rodriguez-Noelia Barsi, Mariano-Irene Jadur<br>2010-11: Ancient greek dance, Study group of Dora Stratou Theater, Athens<br>2009-10 : Improvisation for performers, Epikolono Theater, Athens<br>2006-09: Actor\u2019s Diploma, Theater Conservatory of Athens \u2018\u2019Dilos\u2019\u2019<br>2000-10 : Regular classical and contemporary dance classes in Athens<br>2000-08 : Traditional Greek dance, Chorostasi, Athens<br><br><strong>Music and Singing<\/strong><br>2012-18: Lyrical and polyphonic singing classes<br> <br><strong>University diplomas<\/strong><br>2013-14: Master in Arts Management, Ca\u2019Foscari Venice, ESCP Europe Paris<br>2006-12: Bachelor in International and European Economics, Athens University of Economics and Business<br> <br>Languages : Greek, French, English<\/p>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Cv-Efi-eng-1-page.pdf\">Download the CV  <\/a><a href=\"https:\/\/efifarmaki.com\/wp-content\/uploads\/2019\/02\/Cv-Efi-eng-1-page.pdf\" class=\"wp-block-file__button\" download>T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artist&rsquo;s Note I am interested in the very foundations of dance, which goes back to the most archaic manifestations of the symbolic gesture. Back to the moment when the movement begins to express human nature itself, and is no longer simply a response to the prosaic necessities of life. This [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-page-fullwidth.php","meta":{"footnotes":""},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/525"}],"collection":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/comments?post=525"}],"version-history":[{"count":24,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/525\/revisions"}],"predecessor-version":[{"id":1433,"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/pages\/525\/revisions\/1433"}],"wp:attachment":[{"href":"https:\/\/efifarmaki.com\/index.php\/wp-json\/wp\/v2\/media?parent=525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}